Heather L Johnson
In Search of the Frightening and Beautiful


My name is Heather johnson. I've been a working visual artist for close to 25 years. I also ride motorcycles...


 Camping out in Isaac Salas' garage. Alajuela, Costa Rica. May 2015.

Camping out in Isaac Salas' garage. Alajuela, Costa Rica. May 2015.


In Search of the Frightening and Beautiful..

..is a long-distance motorcycle journey and nomadic art project. On the road I take pictures and record experiences, leaving hand-made works of art in people's hands or in the landscape in a spirit of exchange. Occasionally I stop to distill it all into new bodies of work: embroideries, paintings, drawings, photographs, writings...

So far, the journey has covered 38,000 miles, through 14 countries, where I've left 45 pieces of myself out in the world, to change hands, contexts and meaning.

Conceived through the act of riding a motorcycle, this venture embraces risk and vulnerability to record and testify to the "frightening and beautiful" - to the coincidences, contradictions and struggles that underlie the essence of human experience.

With a little bit of luck and a lot of hard work, it will eventually make its way around the world.

PS. For all those anecdotal, spontaneous, irreverent (yet heartfelt) and very current tidbits - impressions, reactions, "deep thoughts" (cough) and general updates - check out the ISFB Facebook Page. You'll find coverage by others of the project

on the ISFB Press Page.

about me..

I grew up moving around a lot. This bred a special kind of rootlessness I've spent most of my life fighting. My discovery of motorcycles set the wanderlust alight, fueling the fire, instigating an embrace of movement I've since learned to love as an incentive, rather than a barrier to living a high-quality existence. When in motion, a motorcycle and its rider cut through space like a knife, exposed and unprotected, physically a part of the environment through which they pass. Functioning as a conduit, the motorcycle is a powerful connector, a means through which I seek to understand the world around me.

Employing an assortment of media, my art examines spaces from the perspective of an outsider looking in. It places people in the position of looking intimately at subjects which on the surface may appear uncanny, distorted, fragmented, or temporary - all only partially within reach. Their power lies in their very “otherness”: what is left unseen, and in any desire they invoke to learn the untold portion of a story. I strive to inspire questions about where we are, physically and psychologically, in relation to what surrounds us.